書(shū)摘
科杜拉 • 亞歷山德里 澳大利亞
First Choice
Chateau de Roquefort
Never force a
mother to nominate
her favourite child.
Rational number one
would be ‘Fabelhaft’.
Its smashing success
demonstrates the
commercial power
of graphic design.
Professionally, my heart
belongs to Chateau de
Roquefort’s corporate
design for illustrative
use of typeface.
In this, my first choice,
Chateau de Roquefort
opted for the most
daring and most
appreciable proposal.
My favourite style is
classic and modern
together.
Erotik Catalogue
This choice represents
one of my oldest works
The Madeira Collection
Perfectly captures the flair
of the unique island in
the middle of the Atlantic
Amons Delicious Catering
The playful and culinary
corporate design puts
a smile on your face
Fabelhaft
Fabelhaft started with
6000 bottles in Germany
and now sells millions
in 47 countries worldwide
Wu
Corporate identity
of Europe’s biggest
university of economics
Evotec Branding
Handles biotech material in
a very entertaining manner
Design collaboration
with Anne Klenk, Barbara
Hoffmann, Elke Bauer,
Stefan Kirsch, Stefanie
Schöni, Thomas Gabriel
尤爾達爾 • 阿爾滕塔什 土耳其
First Choice
Poster for the film
Rastgele Baltazar
(Au Hasard Balthazar)
The poster for
Bresson’s Au Hasard
Balthazar is designed
for special screenings.
On the donkey’s face
is a harness symbolising
captivity. Its two-legged
form is both a reference
to the actual two-legged
donkeys in society
and to Bresson’s
approach of ‘showing
only the essential’.
The donkey’s gaze
and poise are designed
with an awareness
of Bresson’s religious
sensibilities, with the
wings and the crown
offering a eulogy for
the ascetic practices
of the faithful.
Poster for the movie
Şafak (Sunrise)
Poster for the exhibition
Cağdaş Polonya
Ozgun Baskı Sergisi
(Contemporary Polish
Printmaking Exhibition)
Poster for the
movie Salome
Poster for the play
Nalınlar (Clogs)
Poster for the
solo-exhibiton
Siyah-Beyaz ve Sessiz
(Black-White and Silent)
Poster for the
movie General
